Maybe it’s that I’m reading Alice Walker’s incredible The Color Purple just as the commentary around Trayvon Martin has taken center stage again. Whatever the reason, the loud, angry cacophony about race in America has cut me to the heart—and rattled my cage.
Like many white people, I first grew aware of this cacophony because of the O. J. Simpson verdict, with the stark difference in interpretation of the evidence along racial lines. Since then I’ve read some, listened to wisdom from some great thinkers (like Judith Katz, a pioneer of the idea of white awareness), and have some grasp of what I should do and how I should think around this issue.
The shoulds can be useful guides. Ultimately, though, whatever I do and think has to come from me—from my deepest self. I am just starting to glimpse what that is. And one part of it may be helpful to white Americans like me who are struggling to understand, on a heart and gut level, the dimensions of the conversation on race.
So, white Americans, here’s an idea to chew on:
Each of us grows up with a story. It tells us who we are, who our family is, and particularly what our society is and how it works. For those of us with things in common, our stories hold some things in common—especially about society.
This is true of us as white people. We’ve learned that the policeman is our friend. We know that there are no limits to how far you can go or what you can do. We’ve heard that we live in a post-racial society.
That is our story.
Over the years, we have heard it a lot. So often, in fact, that for us it becomes a given. It is no longer a story about reality; we think it is reality—“the way things are.”
Then we get the O. J. trial. And Trayvon Martin. And suddenly we see that at least one other group of people—African Americans—has a different story. On many points, their story contradicts our story.
All this is indisputable.
The question is what we do with it. And for people of dialogue, the answer is surprisingly clear.
As people of dialogue, we know that each of us is exactly one person among billions, with one person’s perspective among billions. Our knowledge is fantastically limited, our ability to be certain even more so. Those simple facts drive me into dialogue with you—because if I know so little, I want to hear what you know, so together we may get closer: to the truth of the situation, to a way forward, to mutual understanding.
In this case, as white people of dialogue, what we do next is listen. Long, intently, without interrupting.
This is particularly important in the U.S., where the dominant story—the white story—so often drowns out the other stories. Where for large swaths of our history as a nation, those other stories were seen as nearly sacrilegious, and their storytellers threats.
How do we start to listen? As my friend Paige Baker has pointed out to me, volumes have been written about these other stories. It behooves me to read them. I need giant portions of Alice Walker and Maya Angelou and others like them.
I think dialogue as a habit of the heart can play an important role here. As white Americans, we have heard our story for many years. It will take years for us to absorb the other stories. That calls for an inner orientation toward listening that enables a continual readiness. Whenever the conversation comes up—with a friend, in the media, wherever—we are ready to listen because our whole selves are tuned that way.
So. Can we listen for a while? A long while? Do you see the value?